Creative application support – 6th March 2019
| Name | Title (and subtitle) | Type of production | Support |
| Alja Branc | Slolos | Production |
OK (needs much more work on the idea and the realization) You can do it. Pls. ask for midterm check when needed but not later than the 15th March |
| Vigh Dorottya Mária | two by two | Production |
OK – good starting point, motivated crew, – not enough clarified definition of goals: "different", but HOW is one? and HOW the other? What in common exactlay, what are the differences exactly. You can do it. |
| justine copette | Les kiosques spécifiques | Thesis |
OK Do this plan + I think you should challeng yourself more with adding sites with more specialties. What do you expect to profit spiritually from adjusting yourself to the the pavilons? Try to work with more flow, quicker, … – I think. |
| Gaja Rupnik Caruso | Slolos | Production |
OK. You seem to start from outside – that is an option, but – I suggest – to go deeper in your character(s). |
| Gaja Rupnik Caruso | Solo for Franzi | Production |
OK. Your starting idea seems very vague. The only thing you seem to have is that You will do something for and with your dancer. What? Why? What are your starting points? Methods? To build up a routine in choreographing is helpful, but learn the more strong, efficient, more inspired approach with more inspiring strong points for both of you. Pls. ask for midterm check when needed. |
| Gaja Rupnik Caruso | Solo for Kamea | Production | OK. Our project is the same as the other, my reaction is the same too. |
| Gaja Rupnik Caruso | Solo for Emma | Production | OK. Our project is the same as the other, my reaction is the same too. |
| Alja Branc | Partner work for solo dance | Research |
OK. Hope to see your results. BUT: Let's clarify cast first. |
| Beste | improvisation | improvisation | OK! As your title shows as well, your apporach is not very specific, your goals seem to be VERY general. The most inspiring and concrete point of your description is: "imagine myself in the body of another" Follow this way as a central thread. Who's body? What are the differences? What changes do you feel on yourself through the process. Make a diary with as much concrete experiences as possible. Wish you much success. Ask for midterm check when needed. |
| Szász Zsófia | Kis arc | Research |
OK! Van egy gondolat – ok. Ez hónapok alatt tényleg semmit nem fejlődött változott? Kontrol C? A módszer, a tánc, a mozgás vonatkozásában egyetlen konkrétumot látok: majd kiválasztod, ami "érdekes". Érdek? Kié? Milyen szempontból? Milyen célra? Mi benne az érdekes? Hogy fogod felismerni? A vak tyúk legalább azt tudja, hogy mit keres. A Belga Kisarc szöveg elég kaotikus, inkább ironikus karakter paródia, mint önvallomás. A saját felsorolt gyengéidet orvosolni kellenene és túllépni rajtuk. Ok. Ábrázold azt a "kisarc" attitűdöt, amit leírsz, de ne az attitűdön lelkizz, hanem azon gondolkozz, hogy hogyan fogod ábrázolni. Ábra – rajz, rajzolat. Milyen? Vonalas? Tónusos? Tus, ceruza? Aprólékos, karikaturisztikus, kicsi, nagy – ilyen kérdésekkel fogalkozik a professzionális rajzoló, amikor munkához lát. |
| Ivona Medić | Solo 23 | Production |
OK! Clear, detailed starting point. Bit unclear method and outcome! Is it more like a repertorium or an example. Concrete quotations or etudes based on their "styles". May be each teacher requires different approaches? May be the same strict methode helps? … My impression is that this is more likely a 30-40 minute material, than a 7 times 1-2 minute dance. And also the planned time for rehearsals shows an open gate for quoting superficially. HOWEVER – avoid and solving those and other worries will be the result of your work. I am looking forward to seeing the results of your hopefully persistent and consecuent process. Ask for midterm check if needed. |
| Klausz Veronika | What do you see?(title) research about dancing in public places(subtitle) | Research | Nice idea! Good question! Unclear method, plans. Create them! BUT: Let's speak BEFORE starting and especially BEFORE going out first! |
| Marci | Touch | Thesis work |
To start or continue collecting materials for your thesis to present in less than two monthes before the 30th April is far too late. Concerning the cast I think Yrsa should go for more "dancy" projects. I understan it is not a solo project but must find the right partner. The work itself is interesting – let"s speak about who could be your partner and with what purpose if not your thesis. NO- until improving the project details. |
| Alexandra | Actias Luna | Production | Dear Alexandra! Your physical presence on stage – as seen at last HB – starts to seem better controlled than before on the floor. Once you stand up you start to loose that control and when you jump loose it completely. It means you still need a lot of physical practice BEFORE trying to solve expressive tasks with your unpreparaid body. Therefore I suggest you to go back for more physical, more technical tasks. That would bring you as a performer – hopefully – to be able to realize your creative dreams. Aks for choreographies from Rita?, from Kristina, or? |
| Jerneja Fekonja | Slolos | Production | OK. Pls. ask for midterm check when needed but not later than the 15th March |
| Jerneja Fekonja | Come | Production | Apply again after dream phase. |
| Bitó Katalin | Folk of house | Production | OK. Show materials after you have some. |
| Kámea | Distance | Research | Ok! Go ahead! Let's speak about possibilities if you want. |
| Anita Kurõljova | Scandal | Project/production to present in MU | Ok. Go ahead! Let's see it any time but also the 15th March afternoon. |
| Rita Matos | Flying | Research | Partnering can be dangerous. No improvisations at this level! Let's speak first about it in details |
| Franziska | apple pie -anecdotes by a kitchen poet | Production | Go ahead! Let's check frequently whenever you need it. Show it the 15th afternoon as well. |
| Till Jenewein | Silhouettes | Production |
Go ahead! Do not forget You aks support to create a production. I see a danger of bringing in again and again unclear, bit blury concepts instead of providing performers with clear, helpful, easy to follow ideas and concepts. The concept of "contamination" in this concept seems an example. You know. Please create a max 10 minute event to show. No audience in a theatre will wait for you hours until you get in a proper "state". That is the performers task, and your task to time the meeting of your dancers and the audience. Looking forward to seeing your results. Show it the 15th afternoon. |
| Dániel Attila | Bújtatós | Research | Izgalmas lehetőség! Úgy tűnik egyszerre akarsz kettőt lépni. Azt kérem, legalább egy hétig dolgozzatok a hét legalább 4 napján legalább egy-egy órát az IW idején túl. Ezt nézzük meg és ennek tapasztalatait összegezve haladjatok a duett felé. |
| Jacsó Anna | The Room | Production | Unfortunately I can't understand the concept. You will divide a room. Ok. Which? How? "I decided to restage this environment." what does that mean? etc. Let's speak first to avoid gaps of an interesting idea withe non planned realization. Let's speak – may be in Hungarian – to clarify. |
| Yrsa Heijkenskjöld | Collage | Research | Let's see first your material where it is now. It was interesting but there were basic question marks in the concept. Let'ssee and consider other more explosive plans. |
| Cseszlai Hanna | No mercy | Research | It sounds more like a confession or poem than a creative plan. Ok, this is the isnpiration where the piece comes from. Where does it go to? How? Material? Method? |
| Jacsó Anna | No | Production |
Érdekes ötlet. 1. Gajának ez épp az ötödik vagy hatodik tervezett munkája ebben a periódusban. Szerintem választania kell melyiket csinálja. 2. "én vagy mások" Ez a lényeg: művészet vagy program/propaganda tevékenység. A művészet személyes és persze nagyon hasznos az egyének közösségének, aki találkozik munkáddal. A propaganda vizet prédikál és bort iszik. 3. a személyes kérdések "táncba öntése" tól általános felvetés – épp ennek a folyamatnak a kidolgozása a kérdés. Te hogyan kezdesz hozzá végzós főiskolásként. 4. Ki a gazdája ennek a projektnek? |
No host's application detedted from other students:
Kubus Kíra, Halom Emma, Kristina Zakernychna, Nina Campos, Meggie Malou, Alejandra Rosas, Myrtille Borel
Also not seen as participants:
Kristina Zakernychna, Nina Campos, Alejandra Rosas, Myrtille Borel